stella41b
Posts: 4258
Joined: 10/16/2007 From: SW London (UK) Status: offline
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Sorry to hear about your situation, Prin, maybe I can track down the details for Millward Lit in Huddersfield.. You know this is perhaps the biggest problem which appears to be the legacy of PC, censorship through fear. But this isn't just artistic licence, but strikes quite deeply at the core of one of the most basic of human rights - the right of freedom of identity and of personal self-expression. You could take someone, anyone, and let's assume that they decide to buy a house, and so they take out a mortgage. They are employed, in a decent job, and the bank agrees to lend them the money for the purchase of the house. They also take out more credit to buy a car. However now they've made those commitments, and they must now keep their job, or find one similar to continue making the repayments. Looking at it from a certain perspective, is this not consensual slavery? I understand that the word 'slave' conjures up for some stereotypical images and can inspire some quite powerful emotions, but the beauty of the English language, and indeed what makes it an incredible language is something what is known as context. The problem I have with PC is that though it claims to advocate freedom and stand up for the human right of freedom of personal self-expression for certain people, it does so at the expense of allowing other people that very same freedom of personal self-expression. It is mind control and thought policing of the worst possible sort. I find this situation an interesting one. I write for similar reasons, but I am a fringe playwright and I am about to open a stage play where BDSM is the context for the plot and the storyline. I am however more fortunate in that I do not have to deal with a publisher or a producer as it's all in house. But for months I have been working to develop a project with the Broadwater Farm community initiatives on the Broadwater Farm housing estate in Tottenham, North London working with the black community. As many people from the UK will know this was the scene of riots in the late 1980's and the project was designed to bring more black people into the performing arts and into fringe theatre. This project was to be funded by Haringey Council. However I face opposition.. from the church who not only have an issue with the fact that I am transgendered but also with the fact that I am running my own SLGBT support group in West London. They feel I am 'sending out the wrong message'. All of a sudden I'm back where I was three years ago in Poland in the exact same situation. I see no need for confrontation, not since when I am able to coexist in harmony with the churches and black community on the other side of London. Therefore I have decided to back down and walk away. There is no more project. This may all seem rather unconnected, but is it really that unconnected? Can anyone of you give me the title of any film released in Britain where a black British actor or actress was in the leading role? Who gets to say that the music inspired by The Heptones and Bob Marley isn't produced within our bland, generic English language culture and yet we can find no end of the 'mothafucker this, motherfucker that' gangsta rap? Who gets to express themselves freely and who doesn't? Sure we can talk about slavery and whether it's consensual or not and completely overlook the bigger issue of oppression. And that oppression, like it or not, is here. This is nothing new in itself, as oppression has always existed in some form or another right through history but in recent years we can see how it has started to develop into new forms of oppression which appear to be slowly undermining and eroding the basic rights of certain people to freedom of personal self-expression. This is something I'm working with now in this support group which is supported by the Royal Borough of Kensington and Chelsea, the NHS and the homeless charity St Mungo's and the primary aim of the group is to tackle this oppression, fear and hostility out there in wider society to enable those who have been denied to once again have the freedom of personal self-expression and to be able to be themselves and a part of society. Surely I cannot be the only one to see the double standards and hypocrisy here? It would seem that there is a lot of knicker-twisting going on when it comes to even the mention of BDSM and slavery, but lo and behold it would appear that the tabloid media are falling over themselves with pictures and gossip of knicker-dropping, boozing, snorting, smoking and God knows what else from what appears to be an 'in crowd' of dimwitted celebrities, some of whom are known for producing some catchy ringtones. Pardon me, but the moral high ground does seem to be somewhere way above my head. We are in 2008, next year it will be 2009, and twenty years since the fall of the Berlin Wall, German reunification and the Round Table talks between the former PZPR regime and the Polish Solidarity movement - two events in history which occurred, as we are led to believe, for freedom and democracy. However here, in the West, in the United Kingdom, we have the 'glass ceiling' or even 'wall of censorship' that Prinny is facing, along with the same choices known to many writers and poets of former times in Eastern Europe. Is she to go underground? Make it a hypothetical story? Would it make it better if she dropped the 'e' in slave and presented herself as a Slav woman from Eastern Europe? Pardon me for not getting all upset and emotional over the Criminal Justice Bill stopping us from posting bondage pics and stuff which may be construed as 'violent pornography' for it's just that I feel that before we get to grips with the oppression of the State we must first get to grips with the oppression that's out there in society, oppression which feeds off irrational fears and prevents those affected from enjoying the same freedom as others, the freedom of personal self-expression. I stand by Prinny and support her all the way and hope that she will get published. Having read the book it is a brilliant piece of writing and gives one a wonderful insight into both her life and into consensual enslavement. PS. Hopefully a publisher can be found, but I'm still open about adapting part or all of it for the stage.
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