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HandSolo -> RE: Musical Instrument Pet Heeves? (5/6/2008 10:10:51 AM)
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quote:
ORIGINAL: Alumbrado I agree with LA that mass produced cheap instruments turned decorations aren't any big loss. My pet peeve swings the other way.... perfectly good professional grade instruments turned into exorbitantly priced 'collectors items'. Speaking as someone who bought a '58 gold top for a few hundred bucks a long time ago, and sold it later for about the same, it irks me that no one will ever get to play one of those again, unless they are able to drop many many thousands on one... which rules out most musicians. I was going to make a similar point about the collectibles. when I started playing, in the winter of '88-89, the price of the '58-'59 Les Paul bursts had gotten totally out of control, rising from about $1k in the seventies, to $10k in the early-mid eighties, to the astonishing sum of $40k+. The conventional wisdom was that the price on these rare (there's only about 800 of 'em, IIRC) widely and expertly forged (there were very nearly the full production number "authenticated by then, which is probably impossible), had topped out, or maybe peaked, and was due for a correction. They sell for $250-300k now. My condolences on the goldtop! If you find sour grapes comforting, there is no guarantee the neck wouldn't have curled into an unplayable noodle by now, wood does whatever it wants to... The good news, in general, is though those classic instruments are priced out of reach, CNC manufacturing means excellent instruments from overseas are dirt cheap, and even the US stuff is mostly very reasonable (other than Gibson, for whom aggressive overpricing is an effective keystone of their marketing plan). The American series Strats and Teles are terrific, and roughly $1k new.
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